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Five portraits from the mid-seventies. The nouveau riches and the nouveau pauvres take their places. With Joop Uchtman, Claude Menard, Ome Joop Beaux, Doris Schwert en Jan van Haagen.
Johan van der Keuken's first film is a uniquely beautiful portrait of Paris at dawn.
Rare fictional short, written by Remco Campert, in the veins of existentialism. About a young man who is in love with the girlfriend of his best pal.
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world.
Detective Beauty undertakes an investigation into reality. He tries to understand a world he cannot grasp, to capture the things that escape him.
Face Value is a film combining a conscious approach with spontaneity, and contemplation with action. It presents us with the differing views of a region we call “Europe”, an imaginary Europe situated somewhere between London, Marseilles, Prague and the Netherlands.
In SPIRIT OF THE TIME (1968) van der Keuken presents a collage of "drop-outs," protesters (both left and right), musicians and "hippies." He organizes these figures around an idea of "mental readjustment," otherwise known as the counterculture. Acting upon a political and social withdrawal into self, they have tried to find new ways of living together.
Film essay about the slums of 1960's Amsterdam.
In his very first ‘independent film’, Dutch master filmmaker Johan Van der Keuken presents an image of Amsterdam in the sixties. He set out taking just his camera, without any pre-defined concept. The result is a poetic observation of Amsterdam by a deeply committed filmmaker.
Documentary shows brass bands from Nepal, Surinam, Indonesia and Ghana.