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Arriving on a deserted beach in the Mediterranean sea, in a time and a place unspecified, Kaspar Hauser is forced to confront the evil of a Grand Duchess who feels threatened by the power she exercises over the community.
Angelo is an orphan who grew up with a nomad woman. He reacts to his pain over the death of his best friend for overdose, thanks to the encounter with Serena. She survives being a prostitute, but she has not lost hope. Angelo moves along an axis of characters in a desolate and poetic day without end.
Mental Masturbation, a Super 8 short imbued with a blessed soundtrack of trance music (an element that would be recurrent in all his latter films), was a point of start into what would be the most appreciated (and hated) element of Manuli’s cinema: The rescue of the absurdist to paint an atmosphere of freedom, in which music (in this case, electronic music) serves as the only link of meaningful communication between its characters, or between its protagonists and the settings of his films, the relation man-man and man-nature.
Set in Italy in the 1970s, VALLANZASCA is the true story of the Italian underworld’s most infamous outlaw. A criminal by age 9, Renato Vallanzasca grew up to become the country’s most notorious mobster before the age of 27. Vallanzasca and his gang wrested control of the Milan underworld with a string of high profile robberies, kidnappings and murders. In the process, he captivated the public and earned the nickname ‘il bel Renè’ – for his devilish charm and handsome face. Arrested multiple times, his daring escapes from prison enraged the government, angered his rivals and fed his legend.
To avoid jail, a tax-dodging businessman is sentenced to a year of community service in a homeless shelter.
Rimini, 1991. For more than a year, the uno bianca gang - they always use a white Fiat Uno - has plagued the area. Their crimes are violent, sometimes killing carabineri, and there's no particular pattern: a bank one day, a petrol station the next, extortion of a small business the next. Are they terrorists? A foreign gang? Tied to the Mafia? After a particularly bloody shootout, two detectives are assigned to start fresh: they go through the notebooks of previous investigators and they interview a few witnesses again. They find a pattern in the crimes and predict the next assault, but the special task force in Bologna is dismissive. Can they carry on alone; how far will they get?
Anita is sixteen and she’s facing a difficult situation: her mother died of leukemia and now Jacopo, her father, is also sick: his need for a bone-marrow transplant is increasingly urgent, but the average waiting period for a donor is many months. Anita isn’t compatible, and neither is Tonino, her grandfather shepherd who lives in the nearby tableland, close to a military base which affect the area since the Sixties. There is uncle Gaetano: being Jacopo’s brother the probability that he is compatible is higher, but Gaetano is a hothead and he and Jacopo haven’t had any relationship at all: an old grudge, which they don’t want to forget, is keeping them apart.
A detective suspects an unreported serial killer is preying on the population of a college town, luring in his victims through online video chats and assuming their identity after the murder.
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
The destinies of two families are irrevocably tied together after a cyclist is hit off the road by a jeep in the night before Christmas Eve.