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Live concert at Madarasi Hargita
The main character of the story which takes place in the twenties in Budapest is the poet Dr. Rácz György, who returns after ten years of absence. In a café he meets his former friend Lajos, who has just broken up with his lover, Márta, because of the wife of professor Büchler. The transiently formed, rootless Rácz gets entangled into the sophisticated, complicated love affairs of bored or tired ladies.
Ede (Dezso Garas) is in his sixties, and he is full of uncertainty about how he and his wife Kati (Mari Torocsik) will fare in the new post-communist regime in Hungary. At least before, he had some idea what he needed to do to get by, and even if he never made much money with his myriad schemes, they got by. Kati has got a real bug in her ear about their livelihood, and is hounding him to get into the spirit of the new system. This is troubling enough for the old gent, but when he runs into an old mistress (Kati Lazar) and discovers that he has a grown son he has never met or knew about, his life becomes even more confusing. His slimy ex big-shot brother-in-law (Istvan Avar) is a major player in the new entrepeneurial risk-taking, and he beseiges poor Ede with advice as well. In this topical comedy, all these worrisome things, and more, come to a head at a big family celebrtion.
Kató Kelemen is asked by her father to go to his office and welcome an important business partner of his. When Mr. Andersen arrives he assumes Kató is a secretary and instructs her to deliver a letter. He's about to travel to Venice with his nephew who he has never met before. Since Kató falls in love with Andersen at first sight, she decides to dress like a boy and pretends to be the nephew.
During the Rákóczi War of Independence, noblewoman Julianna Géczy becomes caught between warring factions as the city of Lőcse falls under siege.
After her divorce leaves her feeling depressed and aimless, a disciplined forty-year-old woman named Teréz wanders through Budapest while grappling with a profound sense of isolation. She visits former lovers and estranged acquaintances in a desperate attempt to find a meaningful connection and reclaim the stability she has lost.
A restless drifter from Istrati’s “Codin” crosses paths in Brăila with a fragile, enigmatic woman reminiscent of “Chira Chiralina“ in interwar Romania.