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After the death of his wife, Miguel decides to take a trip, postponed for many years, Argeles-sur-Mer, a small town in southern France, where thousands of refugees are concentrated for some time.
Greek Theo Angelopoulos traveling from Athens to Ostia, the Roman beach where Pasolini was killed. Far from there, in a Spanish train station, Víctor Erice wanders in an interview about the film resistance. And in Italy, Tonino Guerra, Ninetto Davoli and Nico Naldini lend his voice to the missing Passolini to close a historic triangle on film and solitude.
Miguel is a 14-year-old kid about to go back to a centre for minors. His mother, out of work and with an unstable personal life, is incapable of taking care of him. This is why Miguel lives in a state of constant urgency, doing the housework, selling Kleenex or stealing from supermarkets. All this ends when Social Services come for him again, and his mother makes him seek refuge in the house of Bogdan, a Rumanian ex-lover of hers who lives in a nearby town. At the same time, María, the owner of a bar, sympathizes with the boy and gives him the virtually maternal treatment that he does not get in his own home. However, everything is thrust forward when the mother suddenly disappears
Miquel moves to a town in the Spanish countryside. He is there to work in an industrial mill, ran by siblings María and Ángel. María, who dislikes her work and the neighbours she has to do business with, finds in Miquel a person similar to her.
A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.
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The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.