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Bitter and hateful, the Grinch is irritated at the thought of a nearby village having a happy time celebrating Christmas. Disguised as Santa Claus, with his dog made to look like a reindeer, he decides to raid the village to steal all the Christmas things.
The third and final era of theatrical Tom and Jerry shorts, produced by Chuck Jones and his Sib Tower 12 Productions (later MGM Animation/Visual Arts) between 1963 and 1967. These 34 shorts restyled Tom and Jerry with Jones's distinctive character designs and comic timing, following the original Hanna-Barbera (1940–1958) and Gene Deitch (1960–1962) eras.
In this feature-length film combining footage from classic Warner Brothers cartoon shorts with newly animated bridging sequences, Daffy Duck, after having induced laughter in an ailing millionaire and forestalled the millionaire's death for a time (as chronicled in Daffy Dilly (1948), is the beneficiary for the deceased millionaire's assets. But the millionaire's will clearly stipulates that Daffy must use the money for the common good, by providing a service, and should Daffy think of pursuing selfish aims, the millionaire's ghost will "repossess" his millions by making them disappear from Earthly existence. Under the pretense of community service, Daffy opens an exorcism agency and employs Porky Pig, Sylvester Cat, and Bugs Bunny to track and eliminate ghosts, ghouls, and other monsters, while Daffy secretly schemes to use his learned "ghost-busting" talents to rid himself of the millionaire's nagging spirit.
If Bugs Bunny were to direct his signature inquiry--"What's up, doc?"--toward the modern-day Warner Bros. creative team, he wouldn't be far off. For 1001 Rabbit Tales, they've doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here's the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids' book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam's pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who'd sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
Daffy Duck and Speedy Gonzales find a treasure map that leads them to a wishing well, which for a penny will grant any wish (through old cartoon footage). Daffy sets up a resort around the well and various Looney Tunes characters have their dreams come true. Meanwhile, Yosemite Sam and the Tasmanian Devil hunt for the varmints who stole their treasure map!
Adventures of the Road-Runner is an animated film, directed by Chuck Jones and co-directed by Maurice Noble and Tom Ray. It was the intended pilot for a TV series starring Wile E. Coyote and the Road Runner, but was never picked up until four years later when Warner Bros. Television produced The Road Runner Show for CBS from 1966 to 1968 and later on ABC from 1971 to 1973. As a result, it was split into three further shorts. The first one was To Beep or Not to Beep (1963). The other two were assembled by DePatie-Freleng Enterprises in 1965 after they took over the Looney Tunes series. The split-up shorts were titled Road Runner a Go-Go and Zip Zip Hooray!.
Rikki is a young mongoose who is adopted by a human family after nearly drowning in the river. He returns the favour by protecting them from two murderous cobra.
A young boy named Milo unexpectedly receives a magic tollbooth and, out of boredom, drives through it and enters a fantastical, animated kingdom in turmoil following the loss of its princesses, Rhyme and Reason.
In this story, Horton discovers there is a microscopic community of intelligent beings called the Who's living on a plant that only he can hear. Recognising the dangers they face, he resolves to keep them safe. However, the other animals around him think Horton has gone crazy thinking that there are such beings.
When Bugs Bunny takes the Road Runner's place in this Wile E. Coyote cartoon, the roles and rules become confused.