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Bright and beautiful, 17-year-old Adelaida enjoys a comfortable family life with her parents in an apartment in Bogotá. But soon the cracks begin to show through the veneer of this picture perfect family.
Shot on grainy, amber-like Super 8, Lina Rodriguez’s elusive and evocative Ante Mis Ojos offers a fragmentary glimpse of Colombia's mythic Lake Guatavita, long considered the inspiration for the legend of El Dorado.
Ana, Claudia, and Marinela, three Latin American women share their intimate experiences of immigrating to Canada while reflecting on themes of violence, belonging, motherhood, and reconciliation.
Spanning over 70 years, two women recount their experiences growing up in Colombia and immigrating to Canada. Intersecting with key moments in Colombian history, Vanishing Points is a polyphonic composition of mirrors, labyrinths, dreams, and nightmares that question the idea of perspective and the linearity of history and time.
Having fled Colombia after her husband was murdered, an environmental lawyer rebuilds her life in Toronto with her tempestuous daughter, only to risk losing everything when her traumatic past re-surfaces.
A close study of Viennese statues that subtly reveals the complex history that continues to haunt contemporary Austria.
In their correspondence, the friendship between Jorge Lozano and Lina Rodríguez translates into an obvious creative complicity. Through a series of quiet, poetic flashes, the two filmmakers articulate a compelling reflection on the materials of cinema. A fascinating object mixing self-portraits, anonymous home movies and images shot in different South American countries.
A geopgraphical portrait of Castillo de San Felipe de Barajas in Cartagena, Colombia.
Impressions of an afternoon at the Cimetière du Montparnasse.