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A series of images, music and sounds which transport through Mexico's history, without any narrative sequence. The film spins constantly round the question 'Where are the singers from?'
A woman working in a caribean Cabaret meets a man in the harbour that just went out of jail. They recognise in each other common feelings of rage and fury and then they fall in love in a story without words.
Short film commissioned by CineDifusión SEP as part of the "Jornadas Casals" music program, centering on the Spanish cellist and, in this case, illustrating the music of Claude Debussy.
Forbidden Stories of Pulgarcito is a film produced in 1980 by the FAPU, a mass organization of the National Resistance, one of the five organizations of the Farabundo Martí National Liberation Front, FMLN. The film was filmed in El Salvador in late 1979 and early 1980 and is a testimony of the daily struggle of the people against the military regime. The team of filmmakers coordinated by Paul Leduc collects the testimonies of the main actors in the conflict that led to a civil war that lasted 12 years, causing 75,000 dead and a million displaced, in a country of 5 million inhabitants. During those years, the United States sent a million dollars a day in aid to the Salvadoran army.
Music and dance nurture the story of a group of people who live in a popular neighborhood. The invasion of North American soldiers to Panama will break the tranquility of the place bringing a wave of violence with them.
A pair of spies disguised as tourists are stalked by mysterious figures in Mexico's most attractive locations.
Through the direct testimony of the Indians, the phenomenon of acculturation suffered by the Otomí minority of the Mezquital Valley, one of the poorest rural areas of the state of Hidalgo, in Mexico, is analyzed. It tries to show a broader problem that encompasses a large part of the Continent; how other peoples, other ethnic groups, are exterminated with all kinds of mechanisms, from brutal repression to the most sophisticated cultural penetration.
While Mexico swims in the oil veins that were deeded to him by the Devil, a bureaucrat is thrown into a whirlwind of intrigue and international espionage where he discovers that the guts of the beast in charge are one and the same, and the evacuation conduit itself. : We are the shit of that monster. At the same time, a man and a woman discover that behind their passion there is a dark reality that drives them to disguise as action what is only hunger, suffering, desire.
A dramatization of John Reed's newspaper accounts of the Mexican Revolution. Considered the first real film in Mexican cinema to be made on the Mexican Revolution.
This film is a chronicle of painter Frida Kahlo, and her encounter with the personalities of her time. Despite being confied to a wheelchair as a result of polio, operations and amputations, she faces and traces some of the most colorful and controversial aspects of Mexican history, during the dominant time of Mexican muralism.