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Stefano and Maria have a marriage by proxy while he is working abroad in Canada. When she is mistakenly accused of abandoning her own child and sent to jail, Stefano finds out and decides to annul their marriage.
The tragic love story between Guido, the owner of a marble quarry and Luisa, the humble daughter of one of his employees, ends up in her giving birth to their baby boy. Giulio's mother is against them: first she sends her son abroad and then has the baby kidnapped, making Luisa think the boy died in a fire.
Cerasella escapes just before her marriage with Alfredo and meets Bruno, the son of a wealthy industrialist.
A former prostitute and a little Polish girl are survivors of a train crash. The woman wishes to adopt the child, but her past makes that difficult.
A young woman, her sister-in-law and her ten year old daughter are violently traumatised by invading Austrian soldiers. Later, in Verona, both woman discover they are pregnant. After a suicide attempt, one has an abortion the other keeps her child - and both faces struggles with friends and family as they return to their homes.
The 19-year-old Elena, who is as pretty as she is bright, works as a rice girl for the landlord Guerrini. Having become aware of her name, he finds out that she is his illegitimate daughter of whom he knew nothing. He tries to secretly help Elena, who has fallen in love with the car mechanic Gianni. But that only creates mistrust. When Guerrini's worthless nephew harasses the girl, the situation is dramatically worse.
In this sequel to Nobody's Children, Guido still longs for Luisa, who has become a nun. Then he meets Lina, a chorus dancer who is a dead ringer for his former lover.
After murdering her illegitimate baby, Isabella pins the blame on her innocent cousin Consuelo. Despite the strenuous efforts of her attorney-lover DeSylva, Consuelo is found guilty and shipped to a penal colony along with several other female prisoners.
The film portrays the comic adventures of a group of summertime travellers. Produced at the height of the fascist era, Treno popolare was nonetheless free of propaganda, and featured the first film score by the legendary composer Nino Rota.