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Since its 1988 premiere, this critically acclaimed documentary series has presented hundreds of films that put a human face on contemporary social issues by relating a compelling story in an intimate fashion. "POV" has won virtually every major film and broadcasting award available, including 38 Emmys, 22 Peabody Awards and three Oscars.
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
This documentary traces the deep-rooted stereotypes which have fueled anti-black prejudice.
A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.
A look at what it's like to be gay and black in America.
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
In these sexy, fun and darkly entertaining boys shorts, we see the hilarious terrors of gay childhood, an Internet hook-up with unexpected motivation and what happens when you hate musicals. You might wonder if theres hope for a gay Lothario, and sometimes you'll see that when you go home, the end is just the beginning.
Marlon Riggs and Peter Webster’s thesis project reflects on the heyday of Oakland blues in the late 1940s and ’50s, when an influx of African American shipyard workers mostly hailing from Louisiana and Texas arrived in the Bay Area. Combining vintage photographs, archival footage, interviews, and performances at venues like Eli’s Mile High Club, Riggs and Webster chronicle Oakland’s vibrant past while revealing an uncertain present.
Five gay Black men who are HIV-positive discuss how they are battling the double stigmas surrounding their infection and homosexuality.
A Las Vegas team of forensic investigators are trained to solve criminal cases by scouring the crime scene, collecting irrefutable evidence and finding the missing pieces that solve the mystery.