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A day in the life of Monika, an ordinary, modern (ca.1975) Swedish woman. Her surroundings are a lot sleeker than her daily existence, though; she's unemployed, her husband is gone, and she's alone in the midst of what ought to be the good life.
A Swedish writer is visiting Morocco. At his hotel, he stays next door to an Italian couple. He becomes obsessed with the woman, spying and following her. One night she knocks on his door.
Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.
Portrait of Ingmar Bergman, made while he was working on The Touch, about his professional and private life in the early 1970s.
A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.
A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson
A psychological drama. The action takes place within a few hours in a woman's life. She is burdened by the decision whether she should leave husband and child in favor of an American she has fallen in love with.
It is a new documentary made by film director, author and film critic Stig Björkman that will be shown on Sveriges Television in May. It was recorded in connection with Christina Schollin's last theater role as Helena Ekdahl in Teater Galeasen's production of "Fanny and Alexander". In the documentary, Christina looks back on her long film and theater life.
Prolific writer Joyce Carol Oates has remained intensely private. Until now. Through a long-standing friendship, and persistent inquiry, director Stig Bjorkman is granted unprecedented access to document her mornings of longhand writing, her walks with her husband—to visit her within her solitude.
Torun and Mikael have been married for a few years. When vacationing on the Danish coast, their young son Melker accidentally drowns. Torun initially blames her sister, who was supposed to supervise her children. Later she turns her anger and grief against her husband. Since none of them know what to do with their feelings, they start to drift apart.