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A terrible accident robs the successful artist Imhoff of his sight—a jet of flame shoots out of the kiln where he hardens his sculptures, and his career seems over. An attempt to surgically restore his sight fails. While he lies in his sickbed, the sensitive nurse Agnes tenderly cares for her patient. She gives him courage when he is on the verge of despair. Thus, a tender love slowly develops between patient and nurse. Eventually, Imhoff and Agnes marry, and his first attempt at sculpture, even in his blindness, is to be a sculpture of his wife's face. However, since Imhoff has never seen Agnes, she fears he will create an idealized image of her that she cannot live up to. Therefore, after a second operation, he initially conceals the fact that he can see again. He wants to "get used to" his wife first... But how long can he maintain the charade?
During Napoleon's victorious campaign in Germany, the city of Kolberg gets isolated from the retreating Prussian forces. The population of Kolberg refuses to capitulate and organizes the resistance against the French army, which immediately submits the city to massive bombardments.
Séraphine and her mother arrive in Paris to visit the 1867 World Exhibition. In an overcrowded city they must be accommodated in separate hotels. During the night the mother, who wasn't feeling very well, gets suddenly worse. When next morning Séraphine goes to meet her every trace of her presence has disappeared and everybody denies having ever met her. The bewildered young woman must find someone who believes her. Previous version of So Long at the Fair (1950).
Veronika, a saleswoman at the Tutzinger department store, is in love with Paul, who also works there as a salesman. During a weekend trip in the car, the colleagues grow closer, but Veronika also gets into serious trouble. To cover up a tear in her dress, she borrowed a valuable fur coat from the department store, which she intended to return on Monday. However, the theft is noticed, and Veronika has to justify herself to her boss, Tutzinger. When Paul arrives to defend Veronika, Tutzinger realizes that the two are in love—and makes sure that they can be happy together.
Nazi historical drama about Duke Karl Alexander of Württemberg and his treasurer Süß Oppenheimer.
Maharaj Gowan is in love with the blonde circus rider Yrida. However, the son of the Maharaj also have strong feelings for her.
Nuremberg durting the time of Albrecht Durer and the famous geographer Martin Behaim: the locksmith Peter Henlein is looking for a way to make bullets more accurate by designing a new form. Just as he welds together two round balls into an elongated shape, he believes he's discovered that his assistant Konrad is trying to alienate his wife from him. There is a struggle, during which Henlein's new kind of bullet strikes him in the chest. The doctor, unaware that there are two bullets lodged in his body, because there was only one shot, only removes one.
Klaus is a young man in post-war Berlin. He is drawn to his friend Manfred and, under the encouragement of their acquaintance, Dr. Winkler, explore the underground world of gay clubs and electronic music. His family begins to learn of his other life and do everything they can to set him straight.
Äls, a young woman from Sweden living in Hamburg in the summer months, attracts a newly married explorer, Albrecht Froben, who has just returned to his native city. But although Äls seems to be 'life itself', she suffers from a tropical disease which is slowly killing her. Froben is torn between Äls and his wife Octavia, who he seen as a kind of 'heavenly' counterpart to the earthy and beguiling Äls.
Der Herrscher (The Sovereign) was based on Before Sunset, a play by Gerhart Hauptmann. The great Emil Jannings stars as Mathias Clausen, a self-made businessman who is forced to do a great deal of soul-searching when his wife unexpectedly dies. Determining to start life anew, he falls in love with his secretary Inken (Marianne Hoppe) and impulsively takes a vacation to Italy. Clausen's selfish grown children, not wishing to share their father's affections -- nor his money -- with his new wife-to-be, go to court demanding that Clausen be declared mentally incompetent. Upon finding this out, Clausen flies into a rage, leaving the audience to wonder whether or not he really as gone off his trolley. Der Herrscher was directed by Veit Harlan, more famous (or notorious) for his viciously anti-Semitic Jud Suess (1940).