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After suffering terrible headaches and stomach cramps, Mr. Lăzărescu, a lonely 63 year-old man, calls for an ambulance, beginning one man’s hellish journey through Bucharest hospitals in search of proper medical care. As the night unfolds, his health starts to deteriorate fast.
Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother's flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.
In 1940, in Sinaia, in central Romania, on Saint Andrew's Day, Ionel Hațieganu, Sacha, Amy, Hegheduș and Rakovsky become the protagonists of an eventful story, in which the echoes of war begin to be heard and betrayal becomes the norm.
A taciturn Romanian divorcee acquires a hunting rifle and initiates a killing spree.
Among the guests who come to the mansion of aristocratic landowner Nikolai over Christmas are a politician, a young countess, and a general with his wife. They dine and discuss topics such as progress and morality. As the debate becomes more heated, cultural differences become increasingly apparent.
Different portraits, four short stories, four moments in time capturing the wanderings of a few souls, stuck at the crossroads of History.
Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
A young man from Constanța who has his own business aims to expand, but he doesn't have the resources.
The father, fired two years before retirement, wants to get rehired, requiring the support of his son. The action takes place in a restaurant in Bucharest.
In the Romanian town of Craiova, five hundred elderly people are passing their days in a home, for which they pay with their paltry pensions. Every day looks the same, every activity is predictable. Even the people‘s complaints are part of the daily routine. One of the residents hopes in vain that a lottery ticket will bring him refuge. For six days, filmmakers Andreea Paduraru and Cristi Puiu try to get through to these people, who are carrying their whole past on their backs. To the question what the best days of their lives was, nobody can or wants to give an answer. Nearly everyone immediately starts about the day-to-day worries and problems in the home. Finally, one woman tells about her activities as head of the research department of the government of Ceausescu, with whom she once had an argument. Another resident recalls his time as a soldier in World War II and proceeds to the order of the day.