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Phyllis Wilson (Laura Lee) returns to the lumber camp owned by her father, Henry Wilson (Sam Flint)), and finds him in a struggle to keep his holdings. Wilson's foreman, McCabe (George Slocum), is employed by Wilson's enemy to destroy his company. Jim Caldwell (David Bruce), an engineer, is hired by Wilson and falls in love with Phyllis. McCabe kills Wilson and Sheriff Williams (Lee Phelps) thinks Caldwell is the killer.
Reed breaks up the first attempted gold robbery. When the outlaws next attempt is successful, Reed is jailed as the suspect. Escaping from jail, he knows who to look for.
Biplane action scenes highlight this story of the lives and loves of two Hollywood stuntmen.
Thanks to a fib intended to ward off an annoying real estate developer, a young bachelor finds himself engaged to three different women and pursued by a fourth, a gangster's sister.
Spectacular stunt work by Richard Talmadge, circus acrobat and stunt man for Douglas Fairbanks, Sr., highlights this expose of a big city criminal mastermind.
Produced by Jack Schwartz for low-budget company Screen Guild, this mild Western starring the veteran Richard Arlen was apparently the first entry in a proposed series. Arlen played the title role, here assigned by the army to quell an Indian attack on the powerless settlers. The Indians are accusing Tom Russell (John Dexter) of murdering a member of the tribe, an act, as Buffalo Bill discovers, actually committed by a gang of outlaws hired by investment company owner J.B. Jordon (Frank O'Connor). Buffalo Bill Rides Again was soundly defeated by a low budget and slipshod direction by the veteran Bernard B. Ray. Popular B-Western villain Ted Adams disappeared mysteriously halfway through the film, only to be replaced by Edmund Cobb. Jennifer Holt, the daughter of Arlen contemporary Jack Holt and by far the busiest B-Western heroine of the 1940s, had little to do other than letting herself be kidnapped by evil Gil Patric.
A newly hired police chief vows to clean up a notoriously corrupt police department. When he is murdered, investigators find that there is no shortage of suspects, most of them being fellow cops.
After noted violinist Arthur Williams suffers a hand injury which ends his playing career, his hopes are transferred to his son, who prefers swing music to classical.
Wilbur Crane is a meek, mild-mannered bookkeeper who no longer finds his wife, Martha, attractive and sets out for a little fling among the fast crowd while looking for love in all the wrong places. Dorothy, a gold-digger first class, and her business-manager friend, Danny, oblige him. Through camera angles,"art" photos, some semi-nudity, special camera-effects (by Ray Mercer), and strange interludes in Wilbur's mind, and off-screen voices, long-time poverty-row b-western director Bernard B. Ray embarks on the exploitation trail.
A visitor to a big city gets involved in intrigue when a look-alike jewel thief sets out to doublecross his gang.