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A woman inexplicably finds herself cut off from all human contact when an invisible, unyielding wall suddenly surrounds the countryside. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature.
It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.
KILLING STELLA is an ice-cold examination of a failed marriage and the self-reproach of a wife and mother. It is a prequel to THE WALL in both literary and cinematic terms.
Gasperlmaier doesn't have it easy: A mysterious phone call leads him to Loser, where the bodies of two women become his latest murder case. While Gasperlmaier battles his fear of heights and his weak stomach, he and Dr. Weiss from the Liezen District Police Command face ever more controversial questions.
The latest Gasperlmaier case has almost ended in Ausseerland. On the day of the Pfeiffer's Day, of all days, a young musician is found dead on the Weißenbachalm pasture, and Gasperlmaier must once again embark on a criminal hunt. This time, too, the likeable police officer, Franz Gasperlmaier, can't rest. Not only is his beloved wife, Christine, traveling the world, leaving him alone with the household, but a new murder case is keeping Gasperlmaier on his toes. At the annual Pfeiffer's Day, where he is about to enjoy a fine schnapps with station commander Friedrich Kahlß, a scream shatters the peaceful atmosphere.
Editor-in-chief Daniel Käfer is unemployed. His magazine "Intelligence" was discontinued due to "too high a standard". Now he wants to think about his future in Ausseerland, where he spent his best summer vacations, but his return to the realm of his childhood turns out to be a dangerous labyrinth that entangles him in the dark secrets of the Ausseer people.
Archduke Johann falls in love with Anna Plochl, the postmaster's daughter. Johann and his royal arranged bride both decline a dynastic alliance advised by minister Metternich in favor of their loves.
Simon Polt (Erwin Steinhauer) is no longer a gendarme. Arrived in retirement, he participates cheerfully in the Weinviertel on village life. When a corpse is found after a feast, his sense of right and wrong again becomes noticeable. The police do not see any third party debt. He sees it differently.