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Naked Blue was developed through a collaboration with Oumy Bruni Garrel, the film’s protagonist, and Devonté Hynes, who composed its score (performed by the Budapest Scoring Orchestra). From this combined star power emerges a work of startling intimacy, which follows then-13-year-old Oumy’s choreographed movements through a studio set painted an underwater blue, as she dances in front of mirrors and salutes an imaginary audience. Under the blazing lights and swelling music, her performance recalls a screen test or dance film—but the resulting work breaks free from the proscenium frame typical of those genres. — Museum of Modern Art
Arranged to marry a rich man, young Ada is crushed when her true love goes missing at sea during a migration attempt — until a miracle reunites them.
Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.
Jules had been hard at work rehearsing the steps to "Billie Jean" for the end-of-the-year show. That same year, he jumped onstage in the middle of a post-rock concert, took off his shirt, leapt into the crowd. That’s when we started to film him. Then we offered to spend a day in a studio and film him dancing.
The odyssey of Senegalese friends who attempt a life-threatening boat crossing.
Full moon above the city of Paris. A young man crosses the city neighborhoods on his bike, when elsewhere a group of distinguished young people that seem to come from another planet, stroll, smoke and chat.
Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
February in the French Alps. Vanina likes to hear the chalet’s parquet floor squeaking beneath her bare feet. Vanina likes to coat herself in sunscreen cream in front of the fireplace. Vanina likes the tawny fur of her rabbit. But above all, what Vanina likes is her American babysitter, Mary Jane…
Four filmmakers share a montage of their original ghost images and rushes on a mix of I've seen the future.