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A story about a family after the Second World War. The petty bourgeois cashier Karl Weber of Berlin observes from a distance how his son Ernst participates in the building of a new socialist society. Karl does not understand Ernst's visions, instead he confides in his other son Harry. However, Harry becomes involved in illicit business and Karl quickly realizes that it would be best to join his son Ernst in the citizen-owned factory.
Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”
The brothers Theo and Gustav Benthin pull profits through smuggling in divided Germany: Theo in the West and Gustav in the East. The East German police catch on quickly, however, and Gustav is arrested. The small band of smugglers disperses, with Gustav’s chauffer Peter Naumann fleeing to the West and his sister choosing the East after struggling to find work and lodging in the West.
Berlin 1952, seven years after WWII. Four women are looking for a good man and happiness in the divided city. Their destinies are loosely connected through one person: the West Berlin dandy and womanizer, Conny.
The film tells the love story of two young couples. According to their social ranks, construction worker Edy is dating employee Siegi, while medical student Dieter is dating art school student Sonja. Rather unintentionally, they exchange partners. During a carnival ball, Dieter makes out with Siegi because he falls for her her fresh and happy girlish manner. Sonja coolly observes this game and sees this intermezzo as a test for their relationship. While Siegi and Dieter vacation at the sea, Sonja falls in love with Edy. Now the die seems to be cast for new constellations. But when both couples stand in front of the registrar’s office, they finally come to their senses.
Albert Hauptmann is an out of work waiter in Cologne who is often confused with a former Captain of the Nazi Army. Albert uses this to his advantage and becomes the Director of the Montan Corporation, and a member of the West German Parliament. Herr Karjanke, the real Captain, learns of Albert’s ruse, and wants to claim his "rightful" position in Parliament. But Karjanke cannot come forward until his politicking "Doppelganger" succeeds in passing an amnesty law for war criminals. When Albert is finally brought before a judge on charges of fraud, he learns that this own amnesty law does not apply to him.
This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "unpleasant" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the "Baltic Sea" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.
The story of a resistance fighter in the Nazi era: Communist Hans Löning was arrested in 1933, imprisoned in a concentration camp and tortured. The Gestapo plans to smash the resistance group around Löning. Despite the imminent threat to his life, Löning, together with his wife, organized the passive resistance of the Hamburg workers against the Hitler regime. In 1944, Löning was again taken and killed.
Irka and Raya are best friends, one always knows immediately what the other wants. Irka is young, lively and a girl, Raya is old, blind and a proud mare who had great times as a show horse. The two are inseparable. But when Raya has a foal, Irka turns her attention to the small, helpless and cute animal. Her father had actually promised that she could keep both horses. One day, however, he tells her that she has to part with one of the horses. Irka has to decide for herself: The cute foal or the old mare?