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During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.
A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).
The 1930s outlaw teams up with Pretty Boy Floyd, Baby Face Nelson and Homer Van Meter.
Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.
T-Man Brass Bancroft goes undercover in a prison which has a secret counterfeit operation set up in the print shop.
Leslie is being chased by the gangsters, the police and the insurance investigators. He is on the run. Falsely accused of a murder, he embarks upon a life-and-death journey to save his family.
During WWI pretty German master spy Helene von Lorbeer is sent undercover to London to live with the family of a high-placed British official where she is to rendezvous with the butler Valdar, also a spy, and help him transmit secret war plans back to Germany.
In San Francisco's Chinatown, Charlie helps two different people search for their missing relatives and uncovers a murder for insurance scheme.
With the cyclotram, an atomic-powered rock-boring vehicle, Dr. Jerimiah Morley leads an expedition into a subterranean world.
An ambitious attorney (Edward Norris) tries to prove a man (John Litel) who killed to protect his wife's (Margaret Lindsay) honor was justified.