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Ramon Alvarado is one of the most important figures of the 60s Amateur Cinema Cycle in Espírito Santo. Not only was Alvarado a prolific director of short films throughout his life, but he was also involved as the director of photography on many other important Espírito Santo film productions. Director and editor Vitor Graize brings forth archival images to add deeper layers of meaning to Alvarado’s recollections.
Creating a national park in the Brazilian state of Piauí dedicated to the preservation of what are apparently the first traces of human activity in the Americas has been archeologist Niède Guidon’s life work. SERTÃO, AMÉRICA is a contemporary take on a mythical territory of Brazilian cinema, once the cinematic realm of Glauber Rocha and other giants. The film pays a brief visit to the region, which is rendered in appropriately fragile analogue textures and deteriorated colours, as small fragments of the biographies of those who used to live there hover over the animal noises of the delicately crafted soundscape.
André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.
João is a 32-years-old musician that opts for the isolation of a farmhouse in the Brazilian countryside after Flora, his pregnant wife, breaks up with him. Three months pass and he’s finally ready to make amends with his wife and follow the birth of his son. But then João is surprised by the mysterious appearance of Max, his best friend, who’s been missing for years and was thought to be dead.
1983 — A young biologist returns home from studies abroad and feels something wrong with his body. This is the start of the AIDS crisis when the first wave of the epidemic hit Brazil. Lives will change, friends will be lost and the future is uncertain.
A meeting with music, composer, poet and sociologist Negro Léo. He gives his thoughts on the development of music, Brazilian and international politics, the rise of neo-pentecostal evangelical churches and obsession over social media, in parallel with his own life story.
A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.
Jaiane now lives in Brazil, while Aissa, a Mozambican sailor who has just arrived in the city, tries to have a real experience on dry land. A story of unconventional passion follows.