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A day in the life of Monika, an ordinary, modern (ca.1975) Swedish woman. Her surroundings are a lot sleeker than her daily existence, though; she's unemployed, her husband is gone, and she's alone in the midst of what ought to be the good life.
A Swedish writer is visiting Morocco. At his hotel, he stays next door to an Italian couple. He becomes obsessed with the woman, spying and following her. One night she knocks on his door.
Portrait of Ingmar Bergman, made while he was working on The Touch, about his professional and private life in the early 1970s.
Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.
A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.
A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson
It is a new documentary made by film director, author and film critic Stig Björkman that will be shown on Sveriges Television in May. It was recorded in connection with Christina Schollin's last theater role as Helena Ekdahl in Teater Galeasen's production of "Fanny and Alexander". In the documentary, Christina looks back on her long film and theater life.
A psychological drama. The action takes place within a few hours in a woman's life. She is burdened by the decision whether she should leave husband and child in favor of an American she has fallen in love with.
Prolific writer Joyce Carol Oates has remained intensely private. Until now. Through a long-standing friendship, and persistent inquiry, director Stig Bjorkman is granted unprecedented access to document her mornings of longhand writing, her walks with her husband—to visit her within her solitude.
In the early fifties Ingmar Bergman got himself a cine-camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. "Bilder från lekstugan" ("Images from the Playground") embark on these films, giving a diverse representation of one of the greatest artists in cinema.