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Many are aware of the heinous crimes against civilizational heritage in the Middle East committed by ISIS. But do people know that this kind of terror is happening in the very heart of Europe? Over 150 Christian churches and monasteries have been destroyed in Serbia's province of Kosovo since 1999. 4 monasteries are part of UNESCO's List of World Heritage in Danger.
It is a comedy about a young couple – Charlie, a news editor on a private television station, and Dana, the TV owner's secretary. Their story is intercepted by the reality news idea of Slobodan, the owner of the television station where both of them work. Slobodan is in a hurry to start the reality as soon as possible because he owes money to a tycoon and time is running out, and trashy programs generate quick profits. Charlie is reluctant to support Slobodan's idea but Slobodan convinces him it is what the viewers want. Although Slobodan is confident that his idea will generate the needed cash, the tycoon loses his patience. While Slobodan leaves the TV building, two masked men kidnap him and drive off in a van. That is when the twist happens.
Montenegro is the newest European country with a proud history, one that is being falsified for current political purposes, thus creating an alternative identity. In a nation where it possible for two brothers to claim different ethnic backgrounds despite having the same parents, everything is on the table: language, church, democracy. Can the truth set Montenegro free?
As the first feature documentary film about Belgrade, it presents the Serbian capital through the eyes of its inhabitants, presenting the history, culture, food and nightlife of the city.
'The Weight of Chains 2' is a documentary film largely dealing with the effects of the Washington Consensus economic doctrine on the newly established former Yugoslav republics, but also with neoliberalism as an economic concept. Through interviews with Noam Chomsky, Oliver Stone and many others, the author, Serbian-Canadian Boris Malagurski, attempts to analyze why so many people in the Balkans are disappointed with the systems imposed after the fall of socialism and how capitalism could be improved. Looking at the examples of Ecuador and Iceland, the film tries to uncover alternatives to the prevailing orthodoxies of Western economic dictates and help developing nations find their own way to shape their economies and their countries.
The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state - Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars - people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.
The history, culture and tradition of Serbs living West of the Drina river, from the times of medieval Bosnia to the 20th century and the formation of Republika Srpska, an internationally recognized entity of Bosnia and Herzegovina.
Boris Malagurski explains how the military-industrial complex, big business and political interest groups endanger peoples' health and existence, focusing on the examples of Serbia, Cuba, Chile, Italy and Bolivia.
Through the socio-political overview of the problematic structure of fan clubs and football supporters in Serbia, this movie focuses on a particular case of an incident involving a French citizen - football fan in Belgrade, which led to 12 young people being convicted to 240 years of prison. One of them is Stefan Velickovic. This is the story about the man who became a part of a huge political scandal, and his right to defend himself. As someone who has not even been at the spot of the incident, he has been pronounced guilty of a crime. What are the interests and intentions for making Stefan a scapegoat?
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.