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Unable to get work in her home country, Laurine Lynne (Beverly Roberts) travels to Vienna where her press agent, Joe Craig (Allyn Joslyn), convinces her to marry royalty. The lucky fellow is Prince Rupert (Patric Knowles), an impoverished nobleman now working as a waiter. Do the two of them fall in love despite this marriage of convenience?
Choreographer Bob Connolly and prolific screenwriter Crane Wilbur teamed up on the direction of Warner Bros.' The Patient in Room 18. Patric Knowles delivers a delightfully comic performance as Lance, an outwardly normal young man obsessed with detective stories. When his obsession threatens to lapse over into lunacy, Lance is sent to the hospital for a nice long rest. It isn't long before he gets mixed up in a genuine murder mystery, using his second-hand knowhow to solve the case. Up-and-coming Ann Sheridan is quite amusing as Lance's nurse and confidante, while the murderer is played by a fellow who is usually cast as the murder victim.
Orphaned horse-trainer's little daughter has reciprocated bond with horse, which needs her presence to win races.
Young Sybil visits her grandfather, a British Colonel stationed at a garrison in India, and she helps negotiate a diplomatic truce between him and the local natives.
Tal is in a lot of trouble. Seems that his father has been murdered while he was in Montana and they put the blame on him. Also, he has been framed and sentenced to 10 years hard labor for another murder which he did not do. The crooks need convict labor to build the dam so they convict innocent people for a pool of cheap labor. But Karan believes that Tal, using the name Smith J. Brown, could not be a killer. Unknown to her, her step brother, Hub, is part of the gang.
In 1880 South Africa, young Betsy has an adventure involving Zulu Tribesmen, Dutch Settlers, The Vortrekkers, and her older brother's romance of Katie Snee.
When the ballerina star of a musical feature walks off in a huff, aided by the fit-throwing director, her understudy steps in and a star is born.
A patriotic wartime short showcasing the U.S. Coast Guard Band, led by singer Rudy Vallee, and saluting the Naval branches of the military.
“The Bell Telephone Hour” was a musical variety show that aired on “NBC” TV from 12 January 1959 to 14 June 1968 that showcased the best in Broadway, Classical, Concert, Jazz and Popular music each week. The series had its’ own house band appropriately named the “Bell Telephone Orchestra”. The show also had its’ own theme song being the “Bell Waltz” composed by “Donald Voorhees” who was also the show's Orchestra conductor. Some of the greatest violinists of the 1960’s performed on this show that aired in the old “Black & White” format. Some of these great violinists included “Erica Mornin”, “Isaac Stern", "Michael Rabin", "Ruggiero Ricci", "Yehudi Menuhin" and "Zino Francesacatti". From time to time some of the great singers and bandleaders of the 1960’s would perform on the show as well. Some of these were “Bing Crosby”, “Gordon MacRae”, “John Gary”, “Leslie Uggams”, “Mary Martin”, “Nelson Eddy”, “Patti Page” and “Roy Rogers”. The TV show followed on the heels of its’ predecessor with the same name on “NBC” radio that aired from 29 April 1940 to 1958 on Monday nights at 8 PM. The name of the show was derived from its’ Major sponsor “Bell Telephone Laboratories”. The TV version began airing on Friday nights at 8:30 PM once a month. It later was given it’s same time slot now airing every other week alternating with another show on the other weeks such as News shows and specials. The show time slot changed quite often over the years. In September 1960 it aired at 9 PM and in September 1961 it moved to 9:30 PM. In October 1963 it moved to Tuesday nights at 10 PM, September 1965 it moved to Sunday night at 6:30 PM and in September 1967 it made its' final move back to Friday night at 10 PM.
An ex-gambler hooks up with an old flame after his old habit resurfaces and drives off his wife.