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Even with good acting, pleasant music, and artistic photography, this "love-boat" story of romance is more like Alice in Wonderland rather than Alice on the streets of Zurich. The Zurich Alice is a flautist who plays for the passersby like many another street or Metro musician. While so engaged, she meets a VIP Russian flautist who has defected and is living in the city. He falls in love with her and as a gesture of his devotion decides to arrange her solo concert debut. Meanwhile, Alice easily figures out what his plans are and devises her own secret scheme. When the day of the performance arrives, her Russian heartthrob is in for a flattering surprise, sure to end his bachelor status. ~ Eleanor Mannikka, Rovi
At the end of the 19th century, an educated white-collar worker finds himself in the employ of an inventor. As he is neither a "worker" nor an "owner," his position in the inventor's household and in the world at large is equivocal. Despite the difficulties he encounters, he tries to hold onto his job in order to support his family, but is eventually fired. This Swiss movie is based on a novel written around 1900 by Robert Walser.
Angelo and two of his buddies set out to rob a Swiss bank, and from the start things don't go well. The man driving the getaway car packed up and left before anyone could connect him with the crime, and Angelo's other partner got shot and killed. The best he can do is grab someone's cash-filled briefcase and take a car and its driver hostage. It turns out that the driver is the daughter of the bank director, so he figures that she's good for ransom money and begins negotiations for that. Meanwhile, the briefcase he took at the bank turns out to have belonged to a man who is willing to hire killers to get it back for him. The situation grows increasingly perilous for him, and he decides to flee the scene but not before he has won the heart of his lovely hostage.
Francois Korb is an arms manufacturer who sold both to the Germans and the Allied forces. Korb's home life is less than ideal, since his wife is having an affair with his brother, and his young son is inseparable from a teddy bear. To remedy the son's situation, the parents take in a little refugee girl as a temporary companion and playmate, and the two children become fast friends.
A remarkable approach to Goethe's novel "The Sorrows of Young Werther": on the one hand, a film adaptation that strives to remain faithful to the work and its words; on the other hand, an examination of Goethe's authentic story, his experiences that inspired his writing, and his retrospective comments as an old man. The dialectical connection between these two models brings to life experiences of love, loneliness, and deadly despair, leading in one case to desperate suicide and in the other to poetic processing.
With the help of his assistant Anja, Ottocaro Weiss intends to put the plague on stage: circumstances beyond his control and a lack of fresh talent have forced him to close down his flea circus. For Weiss, the plague means the «extinction of everything that makes life miserable and low and freedom along with it. Unbeknownst to him, he has won the support of a patron who is of the exact opposite opinion: for Johannes Wagner, the plague is an organising principle, and, aided by his agent Moosbrugger, he is able to smuggle a new number onto the programme. Whereas Ottocaro Weiss means to represent the plague theatrically, what appears on stage is the scientific reality of the rat-borne infestation.
A theatrical group prepare Voltaire’s play “Alzire”. From this the ideas of Voltaire are examined as they relate to the present day political situation.
Murders in... is a collection of French-Belgian police TV movies taking place each time in a different French city and region.
Télématin is a French breakfast television news show, broadcast on France 2 since January 7, 1985. It is broadcast in Metropolitan France weekdays from 6:30 to 9:00 am CET. TV5 broadcast the show in Canada in its entirety until September 2011: it now shows a 90 minute version between 6:30 and 8:00 am Eastern Time, when the French original version is now 2h30 long. Télématin is hosted by William Leymergie. The show is daily seen by around 40% of the French morning audience, a very high percentage for French TV. In Metropolitan France, the newscasts are presented at 7:00, 7:30 and 8:00, with newsflashes at 6:30 and 8:50, and two press reviews at 7:20 and 8:30. The 6:30, 7:30 and 8:50 newscasts are usually presented by a female reader and the hourly newscasts by a male. The usual readers are Nathanaël de Rinquesen, Sophie Le Saint, Julien Benedetto, Sophie Gastrain, Patrice Romedenne and Frédéric Vion.
Teens Charlie and Nick discover their unlikely friendship might be something more as they navigate school and young love.