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A gang of bandits led by Faustão intervene in a fight between two members of rival families, the Pereiras and the Araújos. Henrique Pereira, son of Colonel Pereira, is wounded in an ambush. Faustão rescues him and demands the father to pay a ransom in exchange for the life of his son. The bandit makes it clear to Henrique that he is not a prisoner and that he is only obeying the law of the backlands. Lucena, a henchman working for the Araújos, finds Faustão and offers twice the amount being asked to the colonel in order to take Henrique as a prisoner, but the bandit refuses the offer. Colonel Henrique pays the ransom, but the son refuses to return home, even being aware of the feud between his family and the Araújos. The young man chooses to join the gang.
Documentary on poor people living in a slum in Rio de Janeiro, on the occasion of New Year's Eve of 1999.
Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.
A panorama of the Brazilian black experience, starting with the figure of the semi-illiterate popular artist and employee of a salt mine Gabriel Joaquim dos Santos.
The daily lives and routine of 37 families living in a huge 12-story building in Copacabana, Rio de Janeiro: their drama, aspirations, intimate revelations, loneliness, dreams...
Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.
Following a newspaper ad, ordinary women tell part of their life stories to director Eduardo Coutinho, which are then re-enacted by actresses, blurring the barriers between truth, fiction and interpretation.
The documentary tracks 19 hours of broadcasting from several brazilian TV channels making live surfing between channels. The result was edited latter.
Simple, emotionally compelling documentary that delves into the songs that hold meaning in people's lives. It is composed of 18 sessions where the director engages his subjects in conversation about the song they picked. The end product is deeply personal stories about music and its intimate connection to memory, love, loss, self-discovery, regret, death, and life.
Film that includes three short films by different authors about love: "O pacto" by Eduardo Coutinho, "Terrible Night" by Rodolfo Kuhn, and "Magic World" by Helvio Soto.