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Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate.
Experiencing violence is commonplace for Syrian women but they do not discuss the prevalence of – often sexual – exploitation for fear of revenge. A collective of young women want to break the taboo with a theatre project. But how free are they themselves?
Summer of 2011. Abdel Basset Sarout, an already renowned 19-year-old footballer, becomes one of the leaders of the peaceful demonstrations in Homs that take to the streets every Friday in defiance of Bashar el-Assad's regime. His improvised songs against the dictatorship inflamed the city's youth. He is the leader of a fiery band of chabab (young people) determined to do battle with the regime, including a 24-year-old videographer, Osama, who prefers the role of witness to that of fighter. Little by little, under his eyes and those of director Talal Derki, as the regime targets the civilian population, the young dissidents are transformed into warriors. From autumn onwards, massive bombardments pounded the "capital of the revolution".
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is a movie about Homs, the capital of the Syrian revolution. It was filmed in August 2011 during Ramadan. Obscurity is the basic element in this movie, it is an artistic thought through choice. It represents the obscurity in telling the truth about the conversation taking place between the regime in power, and the people on the ground, and the obscurity in reporting the conflict between both voices: the voice of the regime/gunshots, and that of the people/songs This movie walks into the obscurity in Syria and strike opens those doors the regime has closed. It starts in obscurity and ends in broad daylight, exactly like what will happen in Syria right after the revolution
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