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Kapitan Sowa na tropie is a Polish series from 1965 directed by Stanisław Bareja. It was the first Polish criminal series made after World War II.
En route to London, Bear discovers at the border checkpoint that his passport is missing a few pages, which may prevent him from traveling to the city with the sports team he manages.
Christmas Eve is approaching. A son serving in the army mistakenly sends his parents a love letter intended for his fiancée. The father is not happy that his son is going to marry a girl from the city—he is afraid that the boy will want to stay in the city and leave the family farm. He decides to talk the young couple out of getting married, without knowing either the girl or their plans for the future...
Modest editor, has shipped his wife and kids for the weekend, and is trying to relax in his house at the outskirts of Warsaw. His quiet evening is only disturbed by the accidental forecast made by a Gypsy woman, that at evening time he will murder a mysterious brunet.
Tadeusz Krzakoski, the director of a failing state-owned company, is married with problems. His mistress, the daughter of a Communist party bigwig, says she's pregnant and Tadeusz knows he'll have to marry her to save his reputation and his job. But divorce is never simple and Bareja's screwball comedies are never boring.
Joanna, the daughter of quite wealthy traders from the Różycki bazaar, is in love with Andrzej, a young, talented, but poor painter. However, the girl's father, Kazimierz Burczyk, decides to find a suitable husband for her himself. A shrewd tradesman, unwilling to disclose his income, searches for a candidate whose professional position would justify his possession of a villa, a car and many other material possessions. In the end, his choice falls on Andrew, who is unsuccessfully trying to sell paintings under the walls of Warsaw's Barbican.
Stanisław Maria Rochowicz, a bumbling art historian, is falsely accused of stealing a painting. The alleged thief faces five years in prison. Desperate, he decides to hide in disguise as a woman until he can paint a copy of the stolen canvas. Lacking means to live, he takes jobs as a maid for a variety of colorful characters.
Janek and Wanda live in a small room in a villa, while other rooms are occupied by offices of various institutions. Janek often stays at work after hours, just to avoid returning to the cramped apartment too early. One day, a man named Malinowski, who once lived in the same small room, visits the couple. He proposes to exchange their room for a new, two-room apartment that he has just received. Janek and Wanda are initially distrustful, but eventually, the exchange takes place. It turns out that Wanda's ex-husband, Jerzy, already lives in the new apartment. Despite the divorce, as he is registered with Wanda, he has the right to continue living in her apartment. Janek tries to find a way to get rid of the intruder.
Gendarme Hoppe is packing to leave for a long-awaited vacation in Germany. Before he can leave the post, however, a Jewish boy shows up. Hoppe must make a decision about the child's life.
A Polish-born Australian businessman arrives in Poland to find a wife for himself.