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The controversial story of Martin Zaidenstadt, an 87 year old Dachau KZ survivor that remained to live his life in the adjacent town. It is a strange and fickle story of a conflict between this man and his environment, spun out through the experiences of three young tourists who came for a routine day trip to a KZ memorial and found more then they expected. The film takes place in the "back-stage" of a concentration camp memorial, and on the "backdrop" of the town of Dachau. A town forever marked by its name and desperately attempting to change its image in the eyes of the world. The subjective tourist point of view, and the accidental manner in which Martin's story, opens the film to basic questions about the relationship between memory and commemoration, about the construction of historical truth, and about the connection between the third generation and the Holocaust.
Can justice truly be served in the occupied territories given the current system of law administered by Israel for Palestinians? This documentary explores the history of Israel's military legal system in the Occupied Palestinian Territories of the West Bank and Gaza Strip.
During his journey to Jerusalem young James learns the meaning of being Israeli.
Provocative in its cinematic simplicity, THE VIEWING BOOTH recounts an encounter between a filmmaker and a viewer, exploring the way meaning is attributed to non-fiction images in today's day and age.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.