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Spring 2020, Poland. 16 filmmakers create 14 short films about unexpected experience of isolation caused by pandemic.
Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.
Met audiences were fascinated by Mariusz Treliński’s gripping, visionary production of Wagner’s epic opera. In the daunting title roles of the doomed lovers, Nina Stemme and Stuart Skelton are passionate, overwhelming, and heartbreaking as they battle every obstacle that separates them from their true destiny. René Pape is King Marke, betrayed not only by Isolde but by Tristan, the man he most trusts and loves like a son. With Ekaterina Gubanova as Isolde’s confidante Brangäne and Evgeny Nikitin as Kurwenal, Tristan’s loyal lieutenant. Simon Rattle conducts a surging, shimmering account of Wagner’s monumental score.
A grieving man tries to find the cause of his young wife's suicide by spending the night next to her dead body and bringing back memories from their past.
Young Renata hears voices. Since her childhood, she has been visited by a fiery angel with sublime radiance. Mad about him, gone in search of him since he abandoned her, she meets on her way the knight Ruprecht who, out of love for her, will try to tear her away from this carnal possession. From tavern to convent, between scenes of spiritualism or exorcism, collective hysteria or burlesque humor, nothing is lacking at L'Ange de feu.
In Trelinski's timeless production he leads a superb, first-class young cast headed by Artur Ruzinski as Onegin and Kristīne Opolais as Tatyana. Mariusz Trelinski, Polish filmmaker and theater director, has created a series of dream-like, surrealist tableaux of great suggestive beauty.
Like Shakespeare’s Macbeth, Boris Godunov is capable of murder in pursuit of power. When Boris’s political opponents substitute a pretend descendant of the previous tsar, the so-called Pretender, to stage a coup d’état, Godunov, tormented by remorse, is certain that it is the reincarnation of his victim who, like an angel of vengeance, has come to take his life. Based on a play by Aleksandr Pushkin about the real-life Boris Godunov, the opera traces the life of the Russian Regent during the Time of Troubles in the late 16th century, from his coronation to his death. This sombre tragedy is about the cries of a nation, the scheming of those in power and the anguish of Boris himself. The music is richly modern, and filled with innovative harmonies based on Russian folk songs and traditional Russian Orthodox church music, and is considered the pinnacle of Russian opera.
Roy, who lives abroad, recollects his youth. Soon he receives news about his old friend's death.
A look at the 1990s generation of cynical and selfish young Varsovians who managed to achieve financial success. But at what cost?