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The protagonist of The Wooden Room is a director of documentaries, who lives with his wife - who is as stoic as he - in an isolated hut in the woods. The director is obsessed by filming marginal events in life. The closer he can get to these events with his camera, the more he becomes involved with them. In the end he falls victim to them. The film, with no dialogue and hardly any sound, is an experimental meditation on the complex, continually-changing relationship between a film-maker and his subject.
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require the death of each participant once his or her task is accomplished. After killing one of their colleagues and splitting into several groups, the alpinists continue their journey. But the human unconscious doesn’t follow military orders. Having once committed murder, the “knights” can’t control their desire to kill. They forgot their mission… and kill each other instead. —University of Pittsburgh
The main character is crazy about about depicting various anomalies in art. Accidentally he finds a cinematography archive which makes him advance a completely new theory on the reasons why humans became bipedal. Yufit proceeds with the plot by describing a scientist struggling against the epidemic wave of anomalies in the physical and mental world thematically started in his other films. This time the struggle takes place on the background of paleoanthropology, psychoanalysis and modern art. As materials of the Museum of Anthropology and other archives are included in the film, it oversteps the boundary between a feature film and documentary.
The necrorealist science fiction plot involves a team of scientists attempting to cross a human being with a tree, and a special unit dispatched to hunt down the zombie-like mutants created in a previous, failed experiment
Violence in the snow! One of the most radical shorts ever made behind the iron curtain, a special document of the Necrorealists' art group, in the former USSR. "Lesorub" (Lumberjack) is a reaction full of energy and morbid rage against the rigid rules of socialist realism - Claus Loeser, Gegenbilder
A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape a war tribunal. The difficulties of war are manly endured by the film’s characters. This film, like most of Yufit’s works, shows his love of 1920’s avant garde cinema, which was considered the highest pinnacle in cinematography. The director believes the art of moving pictures was more heartfelt before sound and colour. “The development of technologies is not a particularly positive thing for human existence,” says Yufit. —Arsenals Film Festival
About Sado-masochism, suicide and the irrational nature of the human spirit. The irrationality of the human psyche, sadomasochism and suicide are the leitmotifs of this film. The documentary footage of airplanes and pilots – symbols of courage and honour – become an unexpected counterpoint to the main structure of the film. The combination of documentary footage and poetic storytelling with the inclement northern setting reinforce the ascetic atmosphere of Suicide Monsters and give its self-destructive characters a heroic and noble appearance. —arsenals.lv
One of the most structured of Yufit’s reels with an elaborated montage work. This film combines three diverse worlds in an absurd manner to show the author’s passion for black humour: traditions of the avant garde cinematography of 20s, the social motives of contemporary Russia, and forensic medicine. —arsenals.lv
An underground short film from a “necrorealist” Russian filmmaker. The film is about sadomasochism, possessed by the idea of death and self-destruction. Evocative of the silent films from the beginning of the 20th century.
This is a story about the battle for a hospital building in Grozny (Chechnya) in January 1995 between Russian Army forces and Chechen rebels supported by Arabian mujahideen and international mercenaries. Although the story is fictional, most of the characters are based on real-life prototypes and events are the compilation of true events during the Grozny Siege in the First Chechen War.