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Adam receives a flashlight with special powers: every liar it shines on flies into the air. Production was cancelled in 1965/66 due to the film's political content. Only in 1989/90 could the director reconstruct the film, where missing sounds and images are replaced with script inserts.
The armouring soldier and writer Werner Bertin is ordered to the Western Front to France during the First World War. The use before Verdun - with all the horrors of war in the period 1916/1917 - brings a fundamental change of consciousness for the academic from Berlin. The intellectual devoted to bravery by fate develops into a disappointed but rebellious being. He sees more and more the injustices of warlike conflicts and their social causes.
Gottschalk and Wenstrup are two German veterinarians who have settled in German Southwest Africa to tend to the needs of cattle ranchers. When a rebellion by a local dissident named Morenga is brutally crushed by the Germans, the two vets get involved, at great risk to themselves, and offer help to the native revolutionaries.
Switzerland 1523. The mercenary Hansli Gyr returns with his soldiers from Italy to his home in the Oberland. They have fought for the Pope and now find a religious upheaval in Switzerland.
Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.
The marriage of Katrin and Richard Lot has become a routine. She has a career and he, as a Marine officer, comes home only once every fourteen days. The children greet him with joy, but she greets him only with anxiety because their marriage is missing its key ingredient: love. She wants a divorce, but he refuses mainly out of comfort as well as due to pressure from the party. Katrin finds a strange solution: she shoplifts and is put on probation for three months. This is enough to force Richard into a divorce because he is concerned about the "moral liability" of his wife.
The armouring soldier and writer Werner Bertin is ordered to the Western Front to France during the First World War. The use before Verdun - with all the horrors of war in the period 1916/1917 - brings a fundamental change of consciousness for the academic from Berlin. The intellectual devoted to bravery by fate develops into a disappointed but rebellious being. He sees more and more the injustices of warlike conflicts and their social causes.
In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.
Poor weavers Hans und Kumpan try to enter a town surrounded by a tall, impenetrable wall, where everyone is apparently very happy. When they finally make it inside, the tyrannical Emperor Max demands they make him new clothes that would "bring all creatures to their knees." Hans and Kumpan claim only intelligent people can see the robe, and in order to prove himself clever, the emperor haughtily displays himself before his subjects wearing his new invisible regalia.
In 1914 Berlin, bank heiress Leonore Wahl and struggling Munich student Werner Bertin fall passionately in love, defying class and her parents’ expectations. Their idyll is shattered by the outbreak of WWI: Werner, swept up in patriotic fervor, is conscripted to the Western Front, while Leonore, pregnant and abandoned, faces her family’s condemnation and a clandestine abortion. Set against the tumult of war, the film explores idealism, social divides, and the personal costs of duty and desire.