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When Gleb, a successful company director, finds himself under siege from mounting corporate pressures, an increasingly unstable world, and the discovery of his wife's affair, the collapse of his carefully ordered life accelerates toward violence.
In a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Kolya and his family.
Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears.
Two young brothers in contemporary Russia are reunited with a father they know only from an old photograph after his sudden return from a long absence. With their mother’s reluctant consent, they set out on a remote trip that quickly becomes an uneasy test of authority, trust, and masculinity. As the journey moves deeper into the wilderness, the fragile bonds between father and sons are pushed to their limits.
The black room. Enclosed space. The action unfolds as if slowly. You understand that every word, every gesture of the heroes have a special, secret, as yet absolutely incomprehensible meaning. But you feel: you can't miss a single nuance. There are two or three heroes in each novel. There is a real drama between them, which ends with an explosion. Sometimes figuratively, and sometimes literally. Time is continuous: there is no yesterday and tomorrow.
After suffering a heart attack, a wealthy elderly Russian man plans to will most of his estate to his estranged daughter. However, his wife has other plans.
A young boy picks up his father's camera, with which he accidentally films a dying romance between a man and a woman.
An anthology of five films of five minutes each by five well-known Russian directors, inspired and financed by the chewing gum company Wrigley.
KVN is a Russian humour TV show and competition where teams compete by giving funny answers to questions and showing prepared sketches. The programme was first aired by the First Soviet Channel on November 8, 1961. Eleven years later, in 1972, when few programmes were being broadcast live, Soviet censors found the students' impromptu jokes offensive and anti-Soviet and banned KVN. The show was revived fourteen years later during the Perestroika era in 1986, with Alexander Maslyakov as its host. It is one of the longest-running TV programmes on Russian Television. It also has its own holiday on November 8, the birthday of the game, which KVN players celebrate every year since it was announced and widely celebrated for the first time in 2001.