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Singer, composer, actor and painter, Dorival Caymmi was a multiple artist, but what they may not know is his pioneering work in introducing candomblé into Brazilian popular music. Recreating in a poetic way concepts present in Caymmi's work and life, the documentary revelation of the artist from his own lines, mined in old magazines.
The feature film “Anti-Heróis do Udigrudi Baiano” focuses on experimental works produced in the marginal cinema movement in Bahia, including works such as “Meteorango Kid”, “Caveira My Friend”, “Anjo Negro” and “Superoutro”, among others, which explore the trajectory of disruptive characters, on the margins of society, with irreverent movements guiding the narratives and concepts that this generation proposed.
In the military dictatorship, many political prisoners were tortured and killed by the Brazilian army. In Bahia, those who survived were transferred to the Lemos Brito penitentiary complex.
Documentary about samba musician from Bahia Clementino Rodrigues, aka Riachão.
Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as Tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional Brazilian music of that time.
The series places Brazil and the world in the context of 1973 to show how fertile that period was for local music production. Each episode addresses a specific theme—such as military regime censorship, the rise of samba at the time, Brazilian rock, the importance of iconic album covers, production outside the Rio-São Paulo axis, and the renewal of bossa nova. To this end, the series invites musicians like Odair José, Charles Gavin, and Roberto Menescal, as well as journalists such as Silvio Essinger, Paulo Cesar de Araújo, and Renato Terra, to share behind-the-scenes details from that era. Each account is complemented by extensive research, featuring performances and interviews with artists who defined the year and remain fundamental to the history of Brazilian music.
The art of Arrigo Barnabé, one of the pillars of the São Paulo experimental music scene during the 80's and author of critically acclaimed albums such as "Clara Crocodilo" (1980) and "Tubarões Voadores" (1984).