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An actor and a politician start a secret affair and together discover their fetish for having sex in public places. The closer they get to their dream of fame, the more they feel the urge to put themselves at risk.
A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.
Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.
Pedro's sister is moving out, and the rooms are getting bigger.
Isolated in an old and gloomy house, Tomaz and Martin spend their days in a tedious routine. One morning, Martin finds a young girl dead in the bathroom.
A four-episode TV series that tells the story of Bruno, a young military who has just run away from the army, travels to Porto Alegre in search of his brother, who he hasn’t seen in years. He cannot find his brother in the city but meets his friends, learns about what was his life, and even experiments the same things his lost brother lived. He discovers a new space where he is free to be himself and explore his sexuality. Away from home, Bruno finds a new family.
The short film produced by Fronteiras do Pensamento in partnership with Okna Produções reflects on the connection between people in contemporary times. The film by Marcio Reolon and Filipe Matzembacher shows people walking in the streets, lost under the gaze of cultural theorist Kwame Anthony Appiah. We are all together, but we don't always realize it.
They heard the drums from the woods. And Arthur knew it was time to leave.
Hilário Pestana, the most famous, funniest and, ironically, saddest Brazilian actor, has died. He has passed through many stages of Brazilian cinema: the chanchadas, the Vera Cruz classics, the pornochanchadas, and even experimental movies. He was beloved by the public and had a gift for laughter, but he only desired to be a serious man.