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With World War II looming, a prominent family in China must confront the contrasting ideas of traditionalism, communism and Western thinking, while dealing with the most important ideal of all: love and its meaning in society.
Stretching across the canvas of the Sino-Japanese War of the 30s, the subsequent Japanese surrender in 1945, and the onslaught of Communism, this film depicts an ill-fated romance between a talented lady novelist and a Chinese traitor working with the Japanese who fall victim to the mayhem of war and their tragic inability to reconcile political differences.
Two independent stories involving chess wizards are interwoven to satirize the politics of the Chinese Cultural Revolution as well as Taiwan's capitalist boom of the 1970's.
Set in Hong Kong in the 1980s, the film follows a fisherman’s son who rises to become a powerful tai pan.
Coral, a Hong Kong woman tortured by city life, went back to her home town to visit her two old friends. They all found that some precious things in life which disappear through the years could never be recovered.
A romantic comedy directed by Hong Kong New Wave filmmaker Yim Ho.
Guan Jian wants to report the murder of his father who died 10 years ago. The alleged murderer whom Guan Jian accuses of the crime is his own mother.
Aggie is suffering a great pain after the death of her Grandmother. She has no one else so she moves in with her Godmother and her son, Louie. Aggie does not speak a single word, the pain she is going through is unimaginable, and this portrayal is simply stunning in its sadness and grief. Louie and Wah try to make her feel at home, and soon Aggie's passion for cooking shines through her sadness.
Understanding "beauty" for 2015... From Beijing, Huang Jianxin wonders if it's nobler to sleep or not to sleep in Insomniac Diary. In London, Mohsen Makhmalbaf's Tenant tells the misadventures of an Iranian boy trying not to lose his bed-sit. With Three Days After My Death, Yim Ho creates a parable: a woman who wants to die must save someone's life before her death wish be granted. Tsai Ming-Liang returns with No No Sleep, where bare-footed Lee Kang-Sheng walks Tokyo streets in the depth of winter.