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Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.
'CAP Unpublished' is a documentary that brings us closer to the humanity of Carlos Andrés Pérez, in the days when history seemed to abandon him. Times during which he analyzed the critical situation that democracy was experiencing at the end of the 1990s. Documentary film with an incredibly rich recollection of exclusive footage from 1998-1999, the film portrays the complicated life after the downfall of one of Venezuela’s most significant leaders from its democratic period: Carlos Andrés Pérez (CAP)
This documentary is a tribute to the founder of Bolívar Films on the occasion of the 61st anniversary of this production company, which presents, through valuable testimonies and unpublished images, the life and work of Luis Guillermo Villegas Blanco and his legacy in the Venezuelan film industry.
This documentary is comprised of three shorts: 'El Afinque de Marín' that follows the musicians of the group Madera. 'Yo hablo a Caracas' about an indigenous leader and his reply to the authorities of the venezuelan goverment regarding the violations towards his people and finally 'Mayami Nuestro' chronicles the relationship of venezuelans during the eighties with the city of Miami.
The country that once had the highest economic growth in the world is now a benchmark of collapse and misery. I Am The People: Venezuela Under Populism is a documentary film that sets out to expose the skillful mechanisms of authoritarian power in the government initiated by Hugo Chávez and continued by Nicolás Maduro.
A full on examination of the two presidential terms of Carlos Andres Perez in which he led the venezuelan fates: 1974-1979 and 1989-1993, known respectively as "La Gran Venezuela" and "El Gran Viraje". Two models of government that, separated by ten years, were very different but produced a change in the history of the country.
This documentary film shows the physical expansion, demographic growth and changes in the way of life of the city of Caracas throughout the 20th century. It is undoubtedly a contribution to rescuing the memory of the capital of Venezuela