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Nemo Bandera (Amendola) is one of the most influential businessmen in Puglia. His assets originate from illicit trafficking whose proceeds were invested in Deep Sea, the profitable company inherited from his father-in-law and used as a cover. One day, all of Nemo’s certainties collapse: he discovers that he is suffering from Alzheimer’s. Shocked by the news, he decides to hide it while choosing who will inherit his empire.
In Rome, the Cassamortari are people who work in the funeral business. The Pasti family's agency was founded by Giuseppe, who is willing to do anything to turn a corpse into money, preferably in black.
The story of four inmates during their 48 hours furlough, of their reality and how it has brought them behind bars. The characters are described with realism, with their contradictions, their desperation, the temptation of an escape, but the cornerstone of the movie is the sincerity of the positive feelings of each and everyone of them: the love of a father for his son, the love for a woman, for friends, and most of all the pursuit of a lost (if ever had) personal dignity and pride. Four characters of different ages and extractions, three man and a woman: Luigi, Donato, Rossana and Angelo.
After the Arcangelo affair, the Pasti brothers, together with an eccentric half-sister they didn't know they had, have made a name for themselves as "gravediggers of VIPs" and are vying for a coveted category award never won before, the Vespillone D'oro. But the evaluation commission finds a gigantic hole in the company's books, which threatens to exclude them from the race for the award. But how is this possible? The answer is in Matteo Pasti's confession: he "borrowed" large sums from company accounts to maintain a virtual relationship with the cam girl named Bella Salma. A stage name that, soon, is on the opening news of all the news: the sex worker is found dead in her villa due to an unlikely domestic accident. The Pasti phone is not long in ringing...
Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.
The Sanremo Music Festival is the most popular Italian song contest and awards, held annually in the town of Sanremo, Imperia, Italy, and consisting of a competition amongst previously unreleased songs. The Festival was the inspiration for the Eurovision Song Contest.
Giulio is a widower, struggling to raise three sons, Marco, Rudi, and Mimmo, as best he can. He lives in Rome's working-class Garbatella neighborhood and runs a wine shop with his two brothers. Lucia, meanwhile, comes from Milan's middle-class background; she's divorced and trying to rebuild her life with her two daughters, Eva and Alice. The two meet by chance and recognize each other: they had a fling as teenagers, many years earlier. Yet first love is never forgotten, and so Giulio and Lucia find themselves together again. Their meeting, however, changes not only the lives of a man and a woman, but also those of two families as different as could be. Two families who find themselves living under the same roof without even having had the time to get to know each other well.
A Late Show with a strong identity that bears the name of Alessandro Cattelan: surprising interviews, monologues, music and guests who face all the challenges, even the most unlikely, but without ever taking themselves seriously.
Love, business, anxieties, friendships, feuds, and resentments paint the picture of the main story, that of a group of criminals who for nearly fifteen years, from 1977 to 1992, cherished an illusion: that of conquering Rome. The Lebanese, Freddo, Dandi, Patrizia, and Commissioner Scialoja are some of the characters inspired by the true story of the Magliana gang. As stated by Aldo Grasso, the first season of the series gives more space to the crime scene, that is, the criminal exploits of the Magliana gang, while the second season delves deeper into the "behind the scenes" of the crime: thus, the gang's repositioning after a key plot event, and the effects and questions this has provoked in the protagonists' consciences.
Sergio Benvenuti is a shy seller of contracts for a Roman company of music, but because of his character he cannot find even a customer, so he asks for help from a fellow named Nadia.