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Four independent short stories but they have in common that they happen in Buenos Aires during legislative elections. A candidate for deputy, Carlos Celestini floods the city with his image and can be seen in each of the stories.
Two buddies' road trip is halted by car trouble in the middle of nowhere; they stumble on a derelict hotel and are inspired to try to restore it, with the help of an odd bunch of locals.
Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.
An actress goes to Canal Siete's studios to act on a TV version of Chéjov's "The Seagull". As the leading actor doesn't appear, an assistant must take his place.
Boris is stunned when his girlfriend Ana asks for some time apart. He doesn't know why and she can't explain it. Some time can mean so many things. How much time apart? A week, a month, years? During this imprecise period of uncertainty, Boris is left at the mercy of chance. His life transforms into an erratic urban journey: moving into a transient hotel, buying a temperamental communist-era car, meeting up with a long-lost classmate, random encounters with other women and repeatedly trying to get back together with Ana.
Isolated in his apartment, old and forgotten by almost everyone —whom, in turn, he has also forgotten— Rafael occupies the hours of his daily life with various rituals and repetitions.
Living the mundane existence of a professional bodyguard, always in the shadows of his clients, Ruben decides to make a change that will finally give him a personal connection outside of his solitary world.
It is the first installment of a series of films titled Downtown Life, which is the result of the happy meeting of two friends who get together to film for the pleasure of walking and observing the city in which they live and where they grew up. What they see is the city that belongs to them, and turning that fact into a film is the way to share that belonging with others. Each observation, be it the movement of traffic at a street intersection, be it the force of the wind exerted on a branch, be it the rhythm of pedestrians at night, contains a form and a story and the confidence that they can be transmitted to whoever. be open to that contemplation.
An intimate, amiable and yet unforgettable symphony of the life of every country town in the world in several vignettes – even if this focuses on Colón, a couple of hours north of Buenos Aires. Both lyrical and modest.
Trelles and Amílcar share a room in a boarding house, the rent of which has not been paid for a long time. Trelles is a waiter in a typical Buenos Aires bar while Amilcar is an amateur bolero singer, who divides his time between sleeping and singing for free in a cabaret.