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The film uses delicacy and humor to describe the authoritarian functioning of a typically Brazilian 1950 family in Rio de Janeiro. The family is headed by a matriarch anxiously waiting for the night to hear Carlos Lacerda. The intense emotional plot highlights the absurdity of the characters' behavior.
In 1960s Rio de Janeiro, aspiring writer Felipe leads a life of wild parties held in an apartment in famous street Barata Ribeiro in Copacabana. There he and his friends enjoy freedom even in the midst of a complicated political moment.
A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.
Cabral is a 60 year old playwright who's married to Glorinha, an actress who's 20 years younger than him. They've been together for half of her live, and now they're getting bored...
Ana Laura is a 40 year-old, good looking and well-informed TV News Anchor who's also a cocaine addict. Facing her career decline as the channel she works in starts to give more space to younger professionals, she faces a night of unusual events as she dives further into drug abuse.
In Rio de Janeiro, at the end of the millennium, a group of mostly middle-aged friends share their lives and experiences with each other.
David, a man in his twillight years, lives all by himself and decides to invite two childhood friends for a day at his house in Petrópolis, where they spend hours talking about the past.
When womanizer Paulo meets a friend’s fiancée, she changes the way he looks at the opposite sex. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life, or embrace this special relationship and become a monogamous man.
On a Sunday, the actors Maria Ribeiro, Fernanda Torres, Wagner Moura, Carolina Dieckmann, Sophie Charlotte, Mateus Solano, Alexandre Nero and Du Moscovis have lunch at one of their houses. The occasion gives way to an incredibly sincere debate on the art of acting, the profession and, above all, the doubts about love and life.