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Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.
Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.
One woman's lonely search for the truth about her mother's murder.
In Athens, a radical female journalist and a former stage actor share their lives against the backdrop of the regime change, right after the fall of the military dictatorship and the first legislative elections in 1974.
Oedipus at Colonus is the second of the three Theban plays of the Athenian tragedian Sophocles. It was written shortly before Sophocles's death in 406 BC and produced by his grandson at the Festival of Dionysus in 401 BC. The play describes the end of Oedipus's tragic life.
Psarogiannos lives with his wife and five children in a seaside village. One day, a sailor appears, seeking revenge and wanting to fight Psarogiannos. Psarogiannos realizes that the sailor is his son from another woman. When the time comes for the confrontation, neither of them can hurt the other. In the end, Psarogiannos' family gains another child.
After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.