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During the cold spring of 1941, with Greece already under German occupation, a long-suffering squad of war-battered soldiers receives orders from the headquarters in Athens to fall back, leaving behind the Albanian Front. As the men retreat through the snow-covered landscapes of the bomb-scarred Greek countryside, the terrifying certainty that nothing will ever be the same again crushes their weary human souls.
A Greek documentary by Takis Kanellopoulos about wedding traditions in western Greece and Macedonia. It was filmed in the village of Velvendo.
The brief love story that Sonia lived in the summer with her teacher, an older man and married in the 60's. For the autumn, Tonio travels with his family abroad, leaving Sonia with his most intimate memories. Sonia has lived in Florence, Paris and has acquired the romanticism of the interwar years she has found in books, paintings and music of the time. He has chosen to live a life apart, of introspection, away from the crowds, but always in a sensational mood.
1941 and the war culminates. The wife of a lieutenant and a sergeant fall madly in love. Times and circumstances -military service, marriage, friendship between the two men- forbid this love, but do not negate it. When the lieutenant is injured and taken to hospital, the two lovers, against all odds, dare the only possible way out: he defects, she leaves her husband, and they begin a journey without return towards the border.
The story of four fellow students who fall in love with the same girl.
Three men renegotiate such concepts as desertion, humanism, and freedom.
The third part of the informal “excursion” to Macedonia – that began with Macedonian Wedding (1960) and continued with Thasos (1961) – Kastoria, with its foreign traveler on horseback seeking a fairy in the modern but rather timeless everyday life of the Macedonian city, closes a perfect cycle of uncompromising documentation right as the curtain rings down on the 1960s. Takis Kanellopoulos has now definitively exchanged history for myth (and its representation), and here he uses it as a bridge between past and present, finally mythologizing a city which, through his gaze, regains anew the characteristics of a rare Greekness, carved from Byzantine ghosts, ancient Greek outbursts, materials of soil and water that are stateless yet deeply rooted in a Greece that remains to be discovered.
Two strangers, a man and a woman, meet during a brief interlude in their journeys, discovering a connection that exists only within the hours of a train delay.
The sudden heritage, which is announced to two mercantiles, infuses their minds and begins to live richly, forgetting their previous lives.
Intent on marrying into money, two antagonists will stop at nothing to seduce a young heiress, renouncing their sweethearts just to get a greater chance at a lucrative love. But, what does the girl have to say about their risky business?