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'Farm life on the South Downs. A gentleman farmer beats his unscrupulous rival in sheepdog trials.' (British Film Institute)
An escaped convict is on the loose, and the police are searching all the doss-houses in the hopes of finding him there. A young journalist is sent by his editor to assist in the search with the aim of reporting on any interesting stories he may find among those seeking shelter that night in the local doss-house, and is eager to help with the arrest. Among the characters they encounter are a man who claims to have got away with murder, and an alcoholic former concert pianist.
When a wealthy newspaper proprietor passes away, his crooked business partner moves to secure the deceased's fortune by substituting a false will. But 'Corona' Flanagan is onto the fraudster, and his efforts to unmask the villain see him popping in and out of jail – which isn't all that bad, since the governor is an old friend of his – and dressing up as a Russian countess...
Charters and Caldicott are touring the Middle East. After visiting Saudi Arabia they find themselves in Bagdad where they are mistaken by a group of German spies for the messengers who are to carry a song record by beautiful singer La Palermo which contains secret instructions of the German Intelligence. Realizing their error, the German spies follow Charters and Caldicott to Istanbul and Budapest, trying to eliminate them and retrieve the record.
As WWII begins, vaudeville entertainer Tommy Towers is called up to serve. He arranges a job for his girlfriend at the local pub. To keep moral up, his commanding officer orders him to perform for the troops.
David and Monty are two friends of Susan and Betty Potter whose father runs a fleet of lorries. One by one, his lorries are involved in accidents and sabotage is suspected. The children are determined to find the culprits.
Depressing and realistic family drama about the struggles of unemployment and poverty in 1930s Lancashire. The 20-year-old Kerr gives an emotionally charged performance as Hardcastle, one of the cotton workers trying to make life better. Interlaced with humour that brings a ray of sunshine to the pervasive bleakness, this remains a powerful social study of life between the wars, and was a rare problem picture to come out of Britain at the time.
A group of very strange men, refugees and casualties of the war, rally round when one of their number is framed by a drug racketeer. Co-opting a well-known journalist to their cause, they scheme to bring the racketeer to justice in a home-made "trial" in the crypt of a ruined church.
The Theatre Royal is a struggling London venue battling to keep its doors open. When the bank threatens to close it, the workers fear that they will soon be forced out of their jobs. The Royal's property master, Bob Parker (Bud Flanagan), recruits the rest of the staff to stage a benefit gala. They hope their show, featuring songs and dances, can raise enough cash to stave off the end. Meanwhile, they seek investors who can keep the Theatre Royal and its staff in business permanently.
When You Come Home was Randle’s seventh feature film, and sees him recount his life as a music hall odd job man to his grandaughter.