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A small town in the Philippines is turned upside down by the arrival of a film crew that has everyone excited. Meanwhile, 13-year-old Lukas finds his own world overturned when he is told that his father is a tikbalang (half horse, half man). His father’s disappearance leaves Lukas to try to unravel the mystery of his own heritage and his own nature.
A grieving detective finds himself increasingly ensnared while investigating a case involving a sinister navigation app causing physical and psychological debris.
Rooted in Filipino realities – both concrete and cinematically reimagined – John Torres’ meticulous yet generous approach is a synthesis of the personal and the political. Assembling fragments of discordant images and murmuring voices, this inventive parable creates a present that appears alien and a future that feels familiar.
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
The unfinished movie of the late Celso Ad Castillo now a Cinema One Originals documentary film.
Black-and-white sequence of contemporary urban life, jittery images recorded by a 1940s motion-picture camera, and a sleepy narration of words, written by Filipino poet and singer Lourd De Veyra.
A film inspired by birds, planes, and flight. Based on a poem by Filipino writer Allan Pastrana.
Village miracles caught on tape: images of a river that must be crossed to erase heartaches, imagined with a boy who has never experienced sorrow.
Filmmaker John Torres describes his childhood and discusses his father's infidelities.
A mobile phone film shot in Mahiyain Street, Sikatuna, a stone's throw away from the house of Chavit Singson, who also led the masses to bring then-president Estrada out of the presidential palace.