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Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.
The memoirs of Raphael Gianikian, Yervant’s father, who survived the 1915 Armenian genocide in eastern Turkey.
Comprised of images shot by amateur photographers and German soldiers in the Balkans from the twenties through the forties, BALKAN INVENTORY was begun by Gianikian and Ricci Lucchi in response to the tragedy unfolding in the former Yugoslavia.
African Diary uses footage from a filmed personal diary shot in Algeria by an anonymous Frenchman between 1927-1936. Here, they reprise his cinematic jottings as he followed in the footsteps of the 19th century Orientalists like Flaubert.
Decaying nitrate film: cinema as an incendiary explosive bomb of memory.
After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.
Primarily constructed from scientific films about the atmosphere from the turn of the last century.
Milan-based duo Yervant Gianikian and Angela Ricci Lucchi create an astonishing work of militant poetry with this found-footage chronicle of Mussolini's brutal invasion of Ethiopia.