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On an ordinary Moscow street, a family lives together in an unremarkable house: a mother and four children. But one "fine" day in this family there is a violent conflict over the furniture with which the apartment is packed. However, furniture is just an excuse. In fact, two worldviews collide, different ideas about life values...
A performance by the Taganka Theatre based on a play by Molière. The last work of Anatoly Efros. The production features music by Duke Ellington.
TV version of a play based on Ernest Hemingway's posthumous novel.
The evil spirit Caliban tries to oppose the world of Good that Prospero creates around him. The dual image of Prospero-Ariel represents two human souls, striving to unite people divided by hatred... This is a version of the play directed by Anatoly Efros in 1983 as part of the December Evenings at the A.S. Pushkin State Museum of Fine Arts. It was specially revived for a television recording in 1988 to mark the anniversary of Efros’s death.
The play is about the life of the Soviet intelligentsia in the 1930s. At the center of the performance is the talented surgeon Platon Krechet, a man whose every thought and effort is focused on prolonging human life.
A woman’s perspective on the reality of wartime is a simple human truth, filled with piercing details that seem unbelievable. It is a truth that is not mentioned in official documents, films, or books from the Soviet era, and it is even absent from the memoirs of male veterans. This is a play about life, where concepts like honor, love for the motherland, and compassion held great significance.
Based on the eponymous play by I.S. Turgenev.
A play based on correspondence between George Bernard Shaw and the actress Mrs Patrick Campbell.
The story of three young men during the siege who were looking for an apartment that had survived the bombing, but found each other for life. Marat and Lika (she loved the proud Marat, but married Leonidik, who had lost his arm at the front) fled from their own happiness and are now painfully returning to it, learning to be happy again with such difficulty, as if learning to walk again. And Leonidik, for whom the burden of his love has become unbearable, unbearable, is learning to be free again with the same difficulty.
On the eve of his wedding, a young doctor leaves Moscow to see his mother who lives in a nature reserve. Things are complicated by the fact that the doctor's ex-girlfriend is also there, and she is expecting a child.