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Golden Swallow revolves around the further adventures of its title character. This time around, she is forced into violence when a figure from her mysterious past goes on a killing rampage while leaving evidence that holds her responsible. Golden Swallow also makes room for a love triangle involving a mad, but righteous, swordsman named Silver Roc and a gentle warrior named Golden Whip. The three team up to conquer the evil forces of the martial world, but their joint venture only lasts so long, due to the two men's egos. Ultimately, a duel to the death is planned between them, leaving Golden Swallow caught between two men, both of whom she admires.
A kung-fu manual known as the Sacred Scroll is stolen from the Emperor's library. An army detachment is sent to recover it. Meanwhile, a young swordsman and his fellow disciple are accidentally drawn into the chaos.
Yang Hui-zhen, a mysterious princess on the run from corrupt government officials, is joined in her endeavors by skilled Buddhist monks and an unambitious painter named Gu Sheng-zhai.
China, year 1457. The Minister of Defense is executed, and his children are sentenced to exile by order of the tyrannical Tsao. Fearful of future revenge from the young people, Tsao sends cruel soldiers to murder them, but a brave group of swordsmen can change the course of the battle at the Dragon Inn.
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
A traveling scholar is intent on translating a Buddhist sutra that is said to have power over the creatures of the afterlife. He slowly finds himself entangled in a mysterious plot involving witchcraft, demons, and a battle to preserve his own soul from the attacks of the supernatural underworld.
A roving ghost spirit controlled by Ying Yang the Evil paints her face in the guise of a concubine. Her spirit can only be released by a ghostbusting monk who comes to her rescue.
In Ming Dynasty China, the retiring abbot of a Buddhist monastery invites two dignitaries to help him choose a successor, not suspecting that both of them have hired help to steal a priceless parchment kept in the temple.
The year is 1937, just prior to the Japanese invasion of China. Painters Ju Rui and Lao San stumble upon He Hua, a woman sold into the sex industry at a local brothel.
Lee Khan, a high official under Mongolian Emperor Yuan of the Yuan dynasty procures the battle map of the Chinese rebel Chu Yuan-Chang's army. Rebel spies, aided by treachery within Khan's ranks, strive to corner him in an inn.