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In 1949 when the Communist regime was established in China, the world-famed painter Ling Chen-kuang, believing his conviction for a new-born society had come true on his motherland, returned anxiously from the U.S., whither he had fled apprehension by lawmen when cracking down on rebellious activities he had actively engaged in out of cynicism and hostility – the feelings evolved from constant haunting by the memories of his childhood miserableness – to the then existing institutions in China. Alas, to his disillusion, the land he had so deeply loved, the society of which he had expected so much, should have turned out to be the hell on earth. Why? The enigma kept obsessing and puzzling him even to his dying moment.
Yueh-chen has an obsession with her classmate Shihao, but is too shy to confess to him directly. She sends in her best friend, Kerou, to act as a go-between, and Shihao ends up falling for Kerou, who is not sure what to think of him.
A girl, who was sold by her stepfather at the age of 14, has had been a prostitute for 14 years. Her family, despite enjoying a comfortable life with her help, avoids her. She thus decides to have a son of her own and succeeds by sheer determination. She is now hopeful that her son will have a life better than hers.
Xiaogin transferred to the third school during his fifth year at high school. During the winter vacation, his grandparents tricked him into returning to the hotel which was founded by his parents. Xiaogin’s classmates Little Princess and Lu Qun tagged along uninvited to escape being bullied at school. While the three boys were temporarily staying at Xiaogin’s family hotel, they quickly found out that the hotel was in terrible shape and was also haunted. Xiaogin and his friends have developed an extremely close friendship while they are trying to step closer to the truth. Will they find out the secret that hides underneath the steaming hot springs?
10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.
In 1920s Taiwan, Jou, a controversial woman with a tragic past, seeks to change her life after falling for a man named Che. Meanwhile, a man named Wei seeks to buy the freedom of Fumiko, a dying young woman.
In 1940s Taiwan, during the last days of Japanese rule, an impoverished farming village is less concerned with colonial politics than with feeding their families. One day, an American bomb falls onto a field, where it lies unexploded.
Zang Guang-xing is a veteran soldier from Mainland China who married a young Taiwanese woman. He has been working as a supervisor in a construction company for seven years. Everyday he rides the same motorbike to work. He suffers enough misery from riding that motorbike, and dreams of buying a car. So he asks around for decent second-hand cars. His son doesn't like any car he chooses. His wife, a typical Taiwanese woman who lives frugally, shaves any penny she can. She is the one who pays for the family's new car. They go out on trips happily, and become the envy of the neighborhood. Zhang thus gets the new car he's always dreamed of, but he starts to worry about it getting dirty, because it's simply too new, too nice for him. The car thus becomes his son's vehicle. He rides the old bike to work again, just like he has during all these years.
Taiwanese film about the dark days of the Cultural Revolution and the young people who were destroyed by it, centered on a group of students who perform Nikolai Gogol’s play The Inspector General.
A young man and his friend move to Taiwan, believing it to be a land of possibilities, but it's not long before they're accused of being spies.