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After the liberation of the Kuban by the Soviet Army troops, farmers return home and begin to restore the destroyed economy. Under the leadership of the young chairman, Nadiezdha Pritulyak, growers are working with great enthusiasm.
A comedy about Krushchev's 'Virgin Lands' project, to transform the barren and inhospitable spaces of the vast Soviet Union into fertile agricultural plains. A classically Socialist-Realist narrative of an individual's 're-education'. Zhenia, a hapless idler, arrives with a band of enthusiastic young Konsomol members to build a new town in the steppe. Although his dream, like that of all the young participants, is 'to become a tractor driver and a hero', he isn't prepared to work for the honour.
A hapless loser (with the surname of Loser) undergoes misadventures with avaracious clergy, a tired horse, and a walking granary (among other things) on his road to collectivized happiness.
The first of what became a popular genre of wartime 'film-concerts', consisting of eight musical numbers, strung together by a loose plot. It shows soldiers leaving their village for the front; in their absence, the desolate but resolute young women of the village assume responsibility for the business of the farm
A competition between milkmaids turns into magic duel as one of them hires a witch to perform a milking ritual, while a young girl discovers a talent to communicate with cows. Only her dreams are miles away, as she's in love.
A film satire that exposes incompetence and bureaucracy. The plot revolves around the adventures of Ivan Ivanovich Duren, the head of a large construction project. The film is lost.
The director's reflections on the modern politics of the Reagan administration.
A full-length documentary film directed by Alexander Medvedkin tells about the nature of Maoism, the events in China in the 1960s and early 1970s
The eleven films that survived from the series of films shot, edited, and shown from three custom railway cars travelling throughout the Soviet Union from 1932 to 1935. A project by Alexandr Medvedkin, though he isn't mentioned in the titles. The cars were full of film prints, editing tables, actors. Films were made in one day: edited at night and the next day shown to the people who participated in it.
An extraordinary document from one of the Cold War's bitterest conflicts - between the Soviet Union and Communist China - this film spares no quarter in its indictment of Maoist evils and misrule.