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Thiruneelakandar is 1972 Indian Tamil-language biographical film, directed by C P Jambulingam and produced by K. Selvaraj. The film script and lyrics were written by Kannadasan and Panchu Arunachalam. Music was by C. N. Pandurangan. It stars T. R. Mahalingam playing the title role of Tirunilakanta Nayanar, with Sowcar Janaki, R. S. Manohar, M. Bhanumathi and Gandhimathi in supporting roles. It was released on 3 June 1972.
Fighting against his criminal past and bolstered by the love of social activist Asha (Rekha), a woman who wants him to reform, Shyam (Randhir Kapoor) tries his best to live a decent, law-abiding life. But it's nearly impossible to achieve with his former crime boss (Ranjeet) and his mistress (Helen) trying to trip him up. Jambu directs this Bollywood classic from the late 1970s.
Mary and Gopi decide to pretend to be a married couple to get a job in a city. However, their lives take a turn when they start living together.
Based on age-old Buddhist folklore connected with Mauryan Emperor Ashoka's son Kunal.
King Rajendra Varman and Queen Mrinalini are reigning the Vyjayanti empire. Mahendra Varman is the rival and the neighbouring king. Kannika is the minister’s daughter, who is in love with King Rajendra Varman and aims to attain him at any cost. This convoluted tale of palace intrigue, suspicion, unreciprocated love, seduction, villainy and piety was interspersed with excellent music.
A young man saves the daughter of a zamindar when she is kidnapped and then they both fall in love with each other.
Amidst a troubled kingdom that currently has no ruler, a revolutionary finds himself to be a lookalike of a prince who was to be crowned king. He takes his place but can he outsmart the real culprit?
The king of Mullai nadu appoints Veera Mohan as the General of the army. Raja guru, the head priest and Parthiban, his son are enraged by this decision. This turns Parthiban into a bandit.
An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.
When Tragedy Strikes three Families, their Destiny forces them on a coverging path and mercy as the challenges of their fate could also resurrect their beliefs