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Commissioned by Josef Stalin to commemorate the 20th anniversary of the Soviet Revolution, Lenin in October was the first of Russian director Mikhail Romm's tributes to the Marxist visionary who helped orchestrate the insurrection of October, 1917.
Historical epic about the legendary Russian naval commander of the 18th century, admiral Fyodor Ushakov, and his fight for Crimea during the Russo-Turkish War.
The historical and biographic movie about the glorified Russian naval commander Ushakov. France begins aggressive wars. The Russian and allied troops freeing Italy are headed by A. V. Suvorov. The victory in the fortress of Corfu is ensured by operation of the admiral Ushakov.
Romm pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firm conviction that nothing of the sort should be allowed to happen again anywhere in the world.
Set in the Soviet scientific community, the story follows two dedicated physicists whose close friendship unfolds amid dangerous nuclear research, shaped by their shared affection for a strong-willed woman. Radiation exposure, scientific ambition, and romantic rivalries intersect as the characters confront the physical risks of their work and the personal consequences of their choices.
Historical-revolutionary film about Lenin’s activities in the first years after the Great October Revolution in Russia.
In search for a better life, Anna leaves her Ukrainian village for a big city. Three years later, she finds herself working two jobs and spending most of her days in a rooming house inhabited by broken people.
A story about tragic events in France during the German occupation in WWII.
Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..."
It is the story of an American journalist who spends time in Russia and sees socialism in action. Upon his return to the U.S., a prestigious editor asks him to write a book about his experience. He receives a handsome advance for the project and he and his fiancée are able to buy a house, a car, and other symbols of the American dream. But the editor’s generosity comes with a caveat: the book must present a negative picture of Soviet society. Will he simply keep the money and do what is expected of him, or will he instead tell the truth?