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Story of a boy that disappears and the militia officer that investigates the case.
Movie adaptation after Carlo Goldoni`s "I rusteghi" comedy, written in 1760.
Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.
Lizuca is only six years old, not much older than her pet dachshund Patrocle, when her mother dies and she is left to live with her grandparents on their farm. Before long, Lizuca's father comes to take her away to live with him and his new bride, a vile woman who considers children the bane of all existence. Lizuca and the dachshund escape the wicked stepmother and spend the night in a hollow tree, a tree that changes into an enchanted land where Lizuca (like Alice through the Looking Glass) discovers a world of characters in the form of bees, frogs, the four seasons, Snow White, her dwarves, and other fairy tale creatures. This magic place is threatened by the evil stepmother's plan to sell the grove that protects the secret land to developers -- a decision that puts the woman on trial before this perfidy can be realized.
1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.
Pavel has to confron his father in law, who is decided to compromise him in front of the village.
Two pioneer teams fight for the ivory aigrette, the great shooter trophy .
An espionage agency is looking to kidnap Alina, the daughter of the Romanian engineer Muresan, to make her father divulge important secrets. On a trip, Muresan's wife and daughter know a young tourist who accompanies them up to a point where they are hosted by Matthew, a very agile little boy, hard-hitting the mountain.
Ovidiu, a 13-year-old boy, is released from a correctional school and, on his way home, recalls the series of events that inexorably led to his being sent to that correctional institution.
During the 1970s a foreign smuggler is taking hostages and threatening to sabotage a river pumping station if he is not aided in his attempt to smuggle ancient artifacts out of Romania.Two young local boys foil his plans.