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Mr. Magoo invites a friend to his lakeside cabin, unaware that a bloodhound has pursued an escaped convict to that isolated location.
An insurance salesman enters Magoo's house hoping to make a sale. Magoo refuses but the salesman is eventually able to sell Magoo some by posing as one of Magoo's old college chums. Magoo is now worth a hefty sum and is ready to collect after being bitten by a dog (actually a tiger rug) but, instead of going to the insurance building, enters a building under construction next door to it. The salesman and his boss notice Magoo walking around the steel skeleton of the building and realizing, "If he falls, the company falls", they rush over making several attempts to save Magoo's life and keep him from endangering himself.
"Everybody Rides the Carousel" invites the viewer along on eight "rides" through the different stages of life. Based on the work by Erik Erikson, one of the most influential psychoanalytic theorists of this century, the film explores the inner feelings and conflicted emotions experienced during each stage of personality development. With distinctive and poetic animation, John and Faith Hubley visualize the conflicts, joys, problems and delights we all experience on the carousel of life.
Mr. Magoo's house is towed-away by thieves.
Life drums the playfulness out of a boy as he grows up.
At the Hodge Podge Lodge, a crotchety, near-sighted Mister Magoo takes a banjo-playing bear to be his nephew, Waldo.
Two men discuss the nature of accidents and the possibility of nuclear war.
The story of a little boy who would only talk in sound effects. With story by Dr. Seuss (and Bill Scott of Rocky and Bullwinkle fame) this cartoon won the Oscar for best short subject (animated) for 1950.
Two little girls muse on marriage and babies, love and death as they create and act out plays in their backyard. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2006.